Architectonics

Charts

Drawings

Installations

Other works

Plaster wire Constructions

Painting

Video  

Wire Constructs

Home

Art Index

Autoboigraphical  

Socioeconomic

Performance

Conflict war and Propoganda

Art and economics

Visual Critiques

Biography

Concept

Interactive

Structures

Photographical

Conflict and Religion

Research and development

Plasticity

Human Psychology

indexing

Audio

Downloads

Support Artist

Text

Hanz Koontz Art and Social Systems

Title Commodification Cycle 1996 - Ongoing Video Metal| MDF | Paint Video

2. Pseudonym: Charles Archie



    By Ranjit Singh

3.  Pseudonym: Charles Archie



     By Ranjit Singh

4. Pseudonym: Charles Archie



   By Ranjit Singh

5.

6.  Pseudonym: Charles Archie



     By Ranjit Singh

Metal| MDF | Paint | Plastic Metal| MDF | Paint | Plastic Metal| MDF | Paint | Plastic Page 1 3 4

Pseudonym: Charles Archie



By Ranjit Singh


Through his work Commodification Cycle the artist conveys art as product incorporating commercial terminology associated with mass-produced products. Each piece purchased has a money back guarantee: (If you are not entirely satisfied with this product return to place of purchase for a full refund). The majority of the mass-produced pieces within the installation are physically supported conveying economic support structures that ensure a piece of art as a viable investment. Trays of additional discs function to replace any piece purchased, which explores the commercial influences on art and artists having to fulfil global market force requirements as manufactures of an exclusive art pieces / products.

The name of the purchaser is documented, which maintains a cohesive link with the economic support structures and investigates exclusivity of ownership.  Each disk when purchased is thumb printed by the artist, emphasising the file line between art and product, when purchased a receipt is issued and the piece is documented. Market forces (supply and demand) determine the price of the art piece / product.

The accompanying videos convey the monotony of installing numerous identical pieces and draws upon the mental condition of a repetitive motion of an industrial manufacturing environment.

Note, with the use of technology the artist is proposing the development on an integrated tracking system to track the movement of individual works.